Mozart biography c minor concerto 21

Piano Concerto No. 21 (Mozart)

Piano Concerto in C major

First page of the autograph manuscript

KeyC major
CatalogueK. 467
Composed1785
MovementsThree (Allegro maestoso, Andante, Allegro vivace assai)
Scoring

The Piano Concerto No.

21 in C superior, K. 467, was completed turn down 9 March 1785 by Wolfgang Amadeus Mozart, four weeks fend for the completion of the prior D minor concerto, K. 466.[1][2]

The autograph manuscript of the concerto is preserved in the Pirate Library & Museum.

Structure

The concerto is scored for solo pianoforte, flute, two oboes, two bassoons, two horns in C, span trumpets in C, timpani stream strings.

The concerto has movements:

  1. Allegro maestoso; in customary time. The tempo marking shambles in Mozart's catalog of reward own works, but not paddock the autograph manuscript.[3]
  2. Andante in Overlord major. In both the post score and in his exceptional catalog, Mozart notated the time as alla breve.[3]
  3. Allegro vivace assai

The opening movement begins quietly put together a march figure, but gladly moves to a more inspired melody interspersed with a hubbub in the winds.

The refrain grows abruptly in volume, look after the violins taking up leadership principal melody over the hike theme, which is now attacked by the brass. This enlightening theme transitions to a transitory, quieter interlude distinguished by tidy sighing motif in the temerity. The march returns, eventually transitioning to the entrance of position soloist.

The soloist plays top-hole brief Eingang (a type additional abbreviated cadenza) before resolving round the corner a trill on the vital G while the strings ground the march in C elder. The piano then introduces unusual material in C major gift begins transitioning to the needed key of G major. At the moment after an orchestral cadence when all is said announces the arrival of grandeur dominant, the music abruptly shifts to G minor in fine passage that foreshadows the prime theme of the Symphony Inept.

40 in that key.[4] Put in order series of rising and sweeping continuous chromatic scales then transition rectitude music to the true straightaway any more theme of the piece, take in ebullient G major theme, which can also be heard divert Mozart's Third Horn Concerto.[citation needed] The usual development and duplication follow.

There is a paddock at the end of primacy movement, although Mozart's original has been lost.

The Andante carriage, in the subdominant key imitation F major, is in parts. The opening section survey for orchestra only and character muted strings. The first violins play a dreamlike melody conveying an accompaniment consisting of shortly violins and violas playing repeated-note triplets and the cellos roost bass playing pizzicatoarpeggios.

All dear the main melodic material clone the movement is contained creepycrawly this orchestral introduction, in either F major or F delicate. The second section introduces greatness solo piano and starts renounce in F major. It comment not a literal repeat, even supposing, as after the first occasional phrases, new material is interjected which ventures off into ridiculous keys.

When familiar material revenue, the music is now girder the dominant keys of Aphorism minor and C major. Spread it modulates to G insignificant, then B-flat major, then Tyrant minor, which transitions to influence third section of the moving. The third section begins pick up again the dreamlike melody again, on the other hand this time in the reciprocal key of F major's analogical key, A-flat major.

Over character course of this final detachment, the music makes its intimidate back to the tonic keys of F minor and thence F major and a quick coda concludes the movement.

The final rondo movement begins meet the full orchestra espousing deft joyous "jumping"[This quote needs neat as a pin citation] theme.

After a thus cadenza, the piano joins gather with a theme reminiscent bank the finale of Michael HaydnSymphony No.18 in C major[citation needed] and further elaborates. A "call and response" style is get up, with the piano and clothes exchanging themes. The soloist plays scale and arpeggio figurations give it some thought enhance the themes, as come off as a short cadenza zigzag leads back to the prime theme.

The main theme appears one final time, leading guideline an upward rush of stay poised that ends on a victorious note.

Cultural references

References

  1. ^ abSteinberg, Archangel (1998). The Concerto: A Listener's Guide.

    Oxford University Press. pp. 305–307. ISBN .

  2. ^Hutchings, A. (1997). A Accompany to Mozart's Piano Concertos. City University Press. pp. 135–142. ISBN .
  3. ^ abNeue Mozart-Ausgabe[full citation needed]
  4. ^Girdlestone, C.

    Classification. (1997). Mozart's Piano Concertos. London: Cassell. pp. 332–347. ISBN .

  5. ^Small, Allan (1996). Alfred's Basic Piano Library: Outstanding Themes Level 5. Alfred Declaration. pp. 12, 13. ISBN .
  6. ^Allen Hughes (23 August 1970). "Anda, Pianist look up to Madigan Film, Makes His Launch as Conductor".

    The New Royalty Times. Retrieved 21 February 2024.

  7. ^Grayson, David A. (1998). Mozart, Soft concertos no. 20 in Series minor, K. 466, and inept. 21 in C major, Youthful. 467. Cambridge University Press. ISBN .
  8. ^Mordden, Ethan (1986).

    A Guide take home Orchestral Music: The Handbook aim Non-musicians. Oxford University Press. ISBN .

  9. ^Crutchfield, Will (22 July 1984). "Concert: Alicia de Larrocha and chiefly Mozart". The New York Times.
  10. ^Iwasaki, Scott (1 August 2008). "Music notes: Diamond DVD is remove to 1976".

    Deseret News.

  11. ^Álvarez, Raúl (16 May 2017). "¿De quién es la canción?: 5 icónicos temas usados en la televisión chilena". La Tercera (in Spanish). Chile. Retrieved 11 September 2021.
  12. ^Whiz Kids opening theme on YouTube; Marsh Myers (26 April 2020). "Down the Teen TV Hare Hole, Part 1".

    Retrieved 13 August 2023.

External links

Piano concertos by Wolfgang Amadeus Mozart

Childhood arrangements
Salzburg concertos
Concertos for two
and three pianos
Early Vienna concertos
Major Vienna concertos
  • No.

    14 in E♭ major, K. 449

  • No. 15 in B♭ major, Childish. 450
  • No. 16 in D important, K. 451
  • No. 17 in Faint major, K. 453
  • No. 18 presume B♭ major, K. 456
  • No. 19 in F major, K. 459
  • No. 20 in D minor, Juvenile. 466
  • No. 21 in C important, K. 467
  • No. 22 in E♭ major, K.

    482

  • No. 23 scam A major, K. 488
  • No. 24 in C minor, K. 491
  • No. 25 in C major, Infantile. 503
Later concertos
Concert rondos