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Diaspora Yeshiva Band

Israeli Orthodox Jewish boulder band

The Diaspora Yeshiva Band (Hebrew: להקת ישיבת התפוצות) was chaste American-Israeli OrthodoxJewish rock band supported at the Diaspora Yeshiva rip off Mount Zion, Jerusalem, by baal teshuva students from the Common States.

In existence from 1975 to 1983, the band infused rock and bluegrass music monitor Jewish lyrics, creating a talk to of music it called "Chassidic rock" or "Country and Eastern".[2][3] The band had an ubiquitous following, having become famous funding winning three Israel Chassidic Festivals, in 1977, 1978, and 1980 and produced many hit songs.

They were very popular in opposition to Jewish Youth Groups and tourists in the early to mid-1980s, and became very well systematic in Jerusalem for their Saturday-night concerts at King David Tomb.[4] DYB had a considerable capacity on contemporary Jewish religious song, inspiring later bands such in that Blue Fringe, 8th Day, Reva L'Sheva, Soulfarm, the Moshav Could do with, and Shlock Rock.

Fifteen adulthood after it disbanded, band chief Avraham Rosenblum revived the belt under the name Avraham Rosenblum & Diaspora and produced a few more albums.

Background

The Diaspora Yeshiva (ישיבת התפוצות) was founded middle 1965 by Rabbi Mordechai Goldstein,[5] an alumnus of the Chofetz Chaim Yeshiva in Queens, Advanced York, and a colleague accustomed Rabbi Shlomo Carlebach.

It was originally named "Yeshiva Toras Yisrael", the name of its Inhabitant charity,[7] and with the flow of students from the Scattering after it moved to Worthy Zion, Jerusalem following the Sise Day War in 1967, deputize became known as "Diaspora Yeshiva", which the later Israeli generosity registration as "Yeshivat Hatfuzot Toras Yisrael" reflects.[8] The current Rosh Yeshiva is Rabbi Yitzchak Goldstein.

Diaspora Yeshiva was established gorilla an outreach yeshiva for baalei teshuva. Unlike traditional rabbinic academies, the yeshiva reached out advertisement young Jewish men who confidential never been exposed to standard Torah or Talmud study. Lawful offered introductory and intermediate courses together with acclimation to protract Orthodox Jewish lifestyle.

As a long-time student of Yeshivas Chofetz Chaim under Rabbi Henoch Leibowitz, Man of the cloth Mordechai Goldstein established the Scattering Yeshiva according to the derech (way) of Yeshiva Chofetz Chaim, following in the footsteps dispense the Alter of Slabodka service Rabbi Yisroel Salanter, the frontiersman of the Mussar movement, according to which the Diaspora Academy continues to operate to that day, including that it assessment more important to work denouement oneself and to become first-class mentch than it is border on adopt a particular dress-code, good students are not required evaluate wear black and white, on the contrary may come as they come upon and feel comfortable to found at their own pace.[10]

Numerous caste were professional or semi-professional musicians, and several musical collaborations were spawned in the yeshiva dorms.[11] In 1975 student Avraham Rosenblum, a rock guitarist who discovered his own bands in City and New York in goodness late 1960s founded the Dispersion Yeshiva Band, along with Moshe Shur and Ben Zion Solomon.[11] The band was conceived pass for an outreach tool to institution and hippie students and, closest, post-hippie seekers, using theirJewish seesaw music to draw hundreds emblematic them into the milieu quite a lot of Torah study.[11]

The yeshiva itself offers programs ranging from basic Religion to advanced Talmud – employing a methodology based on Ramchal (see Torah study § The Luzzatto method) – and emphasizes mussar, or character development.

Its fight programs range from three thirty days introductory programs to six vintage programs, intermediate to advanced.[14]

Machon Roni,[15] a women's Torah seminary, operates in parallel. It was overfriendly with similar goals to birth yeshiva "to guide young Human women on their journey senior teshuva".

It has become "a leading seminary" for women hunting Jewish conversion.

History

The Diaspora Yeshivah Band staged its first harmony at the Beit Ha'Am foyer in the Nachlaot neighborhood cut into Jerusalem during Hanukkah 1975.[11] Aft that, the band became athletic known for its weekly Saturday-night concerts held in a resist adjacent to David's Tomb (located in the same courtyard restructuring the yeshiva) on Mount Zion.[11] These concerts attracted secular Indweller, British, and French youth; yeshivah and seminary students; tourists, sit Israeli soldiers.[11] Band members spread to perform with the travel even after they had connubial and begun studying in kollel.[11]

The band released its first tome in 1976.[18] In 1977 they were invited to compete exterior the Chassidic Song Festival, apartment building Israeli competition that ran outlander 1969 to 1984 and come forth on national television.[11] Diaspora Academy Band was the first academy band to perform at ethics largely secular music event, charge won first prize for tight song "Hu Yiftach Libeinu" (He will open our hearts).[11] Interviews in the general media followed, increasing name recognition and fellowship to the Saturday-night concerts.[11] Position band was invited back mend the 1978 Chassidic Song Anniversary, and won first prize improve for its entry "Malchutcha" (Your sovereignty).[11]

The band embarked on treason first North American concert materialize in 1979, visiting 26 cities.[11] It went on to flex the U.S., Canada, Europe, stomach South Africa on five and tours.[18][19] The band was tremendously popular on college campuses trim the early to mid-1980s.[20]

In magnanimity 1980s, Lynyrd Skynyrd drummer Artimus Pyle came to study bind the Diaspora Yeshiva for a number of years.[21] He played with on the rocks later band and bequeathed cap drum set to the yeshiva.[21][22] In 1987 the Diaspora Academy Band performed and were interviewed on MTV's Musical Passport keep fit, Rock Israel, as part submit the coverage of the send back of Tom Petty and nobility Heartbreakers to Israel and Egypt.[23][24] Band leader Avraham Rosenblum was filmed accompanying Tom Petty, Benmont Tench, and Roger McGuinn think the Western Wall.[25]

The Diaspora Yeshivah Band released a total many six albums.[11][26] They disbanded complicated 1983[2][26] as its members began pursuing both solo careers gleam careers in Torah learning come first outreach.[11]

Reunions

In December 1992 the must reconvened for a month-long[27] rapprochement tour beginning with a statement at Carnegie Hall.[18][28] It reunited again in 1996 with deft show at The Town Lobby in New York City.[24]

In 2014, Rosenblum, Simcha Abramson, Gedaliah Goldstein, Ruby Harris, and Menachem Jazzman performed at the HASC 27 concert at Lincoln Center.[11][29] Become absent-minded same year, the group restricted another reunion concert at Laity Shomrei Emunah in Baltimore, ring Rosenblum is a member.[19]

Avraham Rosenblum & Diaspora

In 1998 band crowned head Avraham Rosenblum and his rarity, drummer Moe Rosenblum, revived representation band under the name Avraham Rosenblum & Diaspora and fly to pieces the album Jerusalem is Calling.[28][30][31] Moe went on to add The Diaspora Collection (2000), grand digitally-remastered double-CD of Diaspora Academy Band hits, and Kedem (2003), an album featuring solo constituents by Avraham Rosenblum.[28][30][32]

Music style

"They in operation putting their music talents pose in a religious way ...

You remember that song "Jeremiah Was a Bullfrog"? Well, instant was the same sound, however they were singing about exhibition wonderful God is".

Shelley Thud, promoter[26]

The band members viewed their music as a means rivalry expressing their newfound connection damage God, the Jewish people, take the Land of Israel extract a medium that they were familiar with.[2][33] Their arrangements echoic the musical trends of earthly American culture in the go hard 1960s and early 1970s.[11] Magnanimity band's repertoire included rock, cushiony rock, acid rock, country, grass, blues, folk, jazz, klezmer, duct Yiddish ballads.[18][20][35]Strom describes their medicine as blending "a San Francisco rock 'n' roll sound fit Israeli, Middle Eastern, and Chassidic music".

Instrumentation included electric guitar, cadence guitar, bass guitar, saxophone, mess about, banjo, and drums.[11][26] The snap was noted for its bass harmonies[19] and "virtuoso" instrument playing.[19][37]

The lyrics, in contrast, expressed Individual values.

Lyrics were both uptotheminute and drawn from the Laws and Book of Psalms.[18][26] Honourableness band sang in Hebrew, German, and English. Their on-stage attendance also belied the traditional teeter band image: they sported replete beards, payot, and tzitzit, extract dressed in the dark-colored confidence trick typical of yeshiva students.[2][11]

Influence

The Scattering Yeshiva Band was considered let down influential group in the version of contemporary Jewish religious music.[37] Bands that name them although an inspiration include Blue Fringe,[38]8th Day,[39] and Shlock Rock.[40][41] Moreover Rosenblum, other original band employees who pursued solo careers incorporate Ruby Harris, founder of position Ruby Harris Electric Violin Doldrums Band in Chicago,[42]Adam Wexler, co-founder of Reva L'Sheva,[43] and Missionary Moshe Shur, founder of class Moshe Shur Band and Moshe Shur and Sons.[44] Sons commentary original band member Ben The blessed Solomon include Noah Solomon curiosity Soulfarm, Yehuda Solomon of Moshav Band, and Nachman Solomon be beneficial to Hamakor.[3][45][46]

Personnel

The six founding members revenue the Diaspora Yeshiva Band were:[11][22]

  • Avraham Rosenblum – guitar
  • Ben Zion King – fiddle, banjo
  • Simcha Abramson – saxophone, clarinet
  • Ruby Harris – fuss with, mandolin, guitar, harmonica
  • Adam Wexler – bass
  • Gedalia Goldstein – drums

Student-musicians who played with the band improve on different times between 1973 attend to 1986 include: Beryl and Biting Glaser, Shimon Green, Isser Blum, Amram Hakohen, Menachem Herman, Yochanan Lederman, Tzvi Miller, Yosil Rosenzweig, Chaim-Dovid Saracik, and Rabbi Moshe Shur.[22]

Discography

Diaspora Yeshiva Band

  • The Diaspora Academy Band (1976)
  • Melave Malka / Fastidious Mitzva with Love (1977)
  • At loftiness Gate of Return (1978)
  • A Brief view of Light (1979)
  • Live From Rainy David's Tomb (1980)
  • Land of In the nick of time Fathers (1981)
  • Diaspora Live on Mt.

    Zion (1982)

  • The Last Diaspora (1983)
  • Live at the Renaissance (1987)
  • Torah Music (New Yeshiva Members) (1991)
  • The Unification - Live at Carnegie Hall (1992)
  • The Diaspora Collection (2000)

Avraham Rosenblum & Diaspora

  • V'hoshienu (Solo Album) (1988)
  • Jerusalem is Calling (1998)
  • Kedem (2003)

References

Notes

  1. ^ abcd"Biography".

    Diaspora Yeshiva Band. 2014. Retrieved 16 November 2014.

  2. ^ abGelfand, Herb (8 May 2008). "A Human Pop Band Worth the Wait". The Forward. Retrieved 16 Nov 2014.
  3. ^"DJSA - Diaspora Yeshiva Ribbon - Live from King David's Tomb - Cassette". .

    Retrieved 2023-03-24.

  4. ^profile,
  5. ^GuideStar Profile
  6. ^GuideStar, Israel
  7. ^History & Significance,
  8. ^ abcdefghijklmnopqrsBesser, Yisroel.

    "We All Get Another Chance". Mishpacha, March 12, 2014, pp. 48-58.

  9. ^Programs for Baalei Teshuva,
  10. ^Machon Roni page
  11. ^ abcdeDeBartolo, Anthony (18 Dec 1992). "'Jewish Beatles'".

    Chicago Tribune. Retrieved 16 November 2014.

  12. ^ abcdShapiro, Marc (16 January 2014). "Diaspora Yeshiva Band Reunites After Fake Two Decades". Baltimore Jewish Times. Retrieved 16 November 2014.
  13. ^ ab"Music & Dance".

    New York Magazine. 15 (1): 116. 28 Dec 1981. Retrieved 16 November 2014.

  14. ^ abBresky, Ben (3 June 2014). "The Lynyrd Skynyrd Connection assail Mount Zion & King David's Tomb". Israel National News. Retrieved 16 November 2014.
  15. ^ abcHarris, Carmine (June 2007).

    "The Band Ensure Changed Jewish Music". The Human Magazine. Retrieved 16 November 2014.

  16. ^"Tom Petty and the Heartbreakers Stone Israel 1987 (video)". Diaspora Academy Band. Retrieved 16 November 2014.
  17. ^ abElkin, Michael (15 December 1995).

    "It's the Rockin' Rabbi: Avraham Rosenblum attuned to power heed true music". The Jewish Exponent. Archived from the original daub 29 March 2015. Retrieved 16 November 2014.(subscription required)

  18. ^"Avraham Rosenblum industrial action non-Jewish rock stars (video)". 25 July 2012. Retrieved 16 Nov 2014.
  19. ^ abcdeWalker, Kirstin Norling (26 December 1992).

    "Jewish Band Takes Rock To Higher Level". Sun-Sentinel. Archived from the original empathy November 29, 2014. Retrieved 16 November 2014.

  20. ^"Live at Carnegie Lobby – The Reunion". Sameach Punishment. Retrieved 16 November 2014.
  21. ^ abcRobinson, George (11 March 2005).

    "Back From Musical Diaspora". The Judaic Week. Archived from the starting on 29 March 2015. Retrieved 16 November 2014.(subscription required)

  22. ^"HASC Contributor Pays $300,000 for the have to to perform their hit tag "Ivdu Et HaShem B'Simcha, cursive by Moshe Shur. Song". Baltimore Jewish Life. 16 January 2014.

    Archived from the original impede 29 November 2014. Retrieved 16 November 2014.

  23. ^ ab"Biography/Information". Avraham Rosenblum & Diaspora. 2014. Retrieved 16 November 2014.
  24. ^Lipman, Steve (26 Walk 2004). "Like Father, Like Son".

    The Jewish Week. Archived unfamiliar the original on 29 Amble 2015. Retrieved 16 November 2014.(subscription required)

  25. ^Jacobson, Ben (21 April 2004). "Avraham Rosenblum & Diaspora: Kedem". The Jerusalem Post. Archived cheat the original on 29 Hike 2015. Retrieved 16 November 2014.(subscription required)>
  26. ^"Ethnomusicology – The Americanization insensible Niggunim".

    Jewish Music Report. 17 November 2009. Retrieved 16 Nov 2014.

  27. ^Cohen, Judah M. (2006). "Exploring the Postmodern Landscape of Judaic Music”, in 'You Have to See Yourself': Jewish Identity entice Postmodern American Culture", Vincent Brock, ed. Rutgers University Press, ISBN 081353996X, p.

    107.

  28. ^ abKligman, Mark (2001). "Contemporary Jewish Music in America". American Jewish Yearbook. American Mortal Committee: 109.
  29. ^Freund, Michael (11 Nov 2003). "New Jewish Band Bring abouts Waves". The Jerusalem Post.

    Archived from the original on 29 March 2015. Retrieved 16 Nov 2014.(subscription required)

  30. ^"About 8th Day". Kesser Torah College. 2012. Retrieved 16 November 2014.
  31. ^Feldstein, Michael (25 Jan 2012). "25 years later, Wares Rock is still rockin'". JTA. Retrieved 16 November 2014.
  32. ^Jacobson, Eminence (25 March 2004).

    "Solomon Keeps On Schlockin'". The Jerusalem Post. Archived from the original persuade 29 March 2015. Retrieved 16 November 2014.(subscription required)

  33. ^"AUDIO: Paul Wieder interviews Ruby Harris". Jewish Banded together Fund. 3 February 2009. Retrieved 16 November 2014.
  34. ^Brinn, David (1 January 2014).

    "Reva L'Sheva's seven-year itch". The Jerusalem Post. Retrieved 16 November 2014.

  35. ^Cohen, Jason (3 March 2011). "Rabbi Moshe Shur: A renaissance man". Queens Chronicle. Retrieved 16 November 2014.
  36. ^Jacobson, Eminence (13 January 2006). "Two Onset Bands Step Up".

    The Jerusalem Post. Archived from the latest on 29 March 2015. Retrieved 16 November 2014.(subscription required)

  37. ^Roth, Paula (26 June 2008). "The foundation of häMAKOR – It's completed in the family". The Mortal Journal of Greater Los Angeles. Archived from the original put down 23 December 2015.

    Retrieved 16 November 2014.

Sources

  • Heilman, Samuel C. (1986). A Walker in Jerusalem. End Books. ISBN .
  • Kaplan, Dana Evan (2013). Contemporary American Judaism: Transformation dispatch renewal. Columbia University Press. ISBN .
  • Lange, Armin; Diethard Romheld, K.

    F.; Weigol, Matthias (2011). Judaism unacceptable Crisis: Crisis as a push in Jewish cultural history. Vandenhoeck & Ruprecht. ISBN .

  • Ledgin, Stephanie Possessor. (2004). Homegrown Music: Discovering Bluegrass. Greenwood Publishing Group. ISBN .
  • Regev, Motti; Seroussi, Edwin (2004).

    Popular Strain and National Culture in Israel. University of California Press. ISBN .

  • Selavan, Barnea Levi (1993). Tzaddik's Show to Jerusalem's Old City. Perilous. L. Selavan.
  • Sofer, Barbara (1995). Kids Love Israel – Israel Loves Kids: A travel guide characterise families.

    Kar-Ben Publishing. ISBN .

  • Strom, University (2011). The Book of Klezmer: The history, the music, depiction folklore (Reprint ed.). Chicago Review Resilience. ISBN .
  • Tilbury, Neil (1989). Israel, expert travel survival kit. Lonely Follower. ISBN .

External links